“The Nun 2” and “A Haunting in Venice” virtually tied for the No. 1 spot in U.S. and Canadian theaters over the weekend, with a slight edge carrying the horror sequel over the Hercule Poirot mystery.
Cord Jefferson’s “American Fiction,” a biting satire starring Jeffrey Wright as a disillusioned academic, has won the People’s Choice Award at the Toronto International Film Festival, a much-watched bellwether in the Oscar race.
As the Toronto International Film Festival winds down after a week of wall-to-wall premieres, there has been no more fraught turf than the land that families try to eke out a life on, amid geopolitical storms knocking on the front door.
Anyone who has eagerly followed Gael Garcia Bernal since his breakthrough roles in “Amores Perros” and “Y tu mamá también” likely never foresaw him one day in the world of lucha libra wrestling.
There’s been no shortage of hit-man movies at film festivals this fall. You could line them up on a rooftop somewhere, each with their sniper rifles aimed out at audiences.
Bayard Rustin, the civil rights activist and primary architect of the 1963 March on Washington, who often worked tirelessly out of the limelight, takes center stage in the new Netflix drama “Rustin.”
A new documentary premiering at the Toronto International Film Festival examines the Louis C.K. scandal six years later.
Sony Pictures is betting that a David vs. Goliath story that played out on Reddit message boards can be a big-screen attraction, too. Like any investment, it carries some degree of risk.
Paul Simon hasn’t watched Alex Gibney’s new three-and-a-half-hour documentary on his life, but he promises he will work up the courage some day.
Few films have broken out like Cord Jefferson’s “American Fiction” has at the Toronto International Film Festival.”
Vicky Krieps stars in Viggo Mortensen’s feminist Western “The Dead Don’t Hurt” as a woman assaulted while her partner is away fighting for the Union army.
The loudest applause on opening night at the Toronto International Film Festival was for Totoro. When the Studio Ghibli logo of the magical creature from Hayao Miyazaki’s “My Neighbor Totoro” appeared on the screen Thursday night, it meant to the audience the premiere of Miyazaki’s latest and perhap
When SAG-AFTRA announced a strike this summer, Cameron Bailey, the longtime chief executive of the Toronto International Film Festival, dusted off his COVID-19 playbook.
In “Saltburn,” Emerald Fennell dives into the British tradition of a gothic tale set at a grand country estate.
By any measure, “The Marvels” is one of the fall’s most anticipated titles. But it’s also a big-budget attempt to try some new things.
The great films of the 1970s have long loomed in the imagination of filmmakers raised during one of the most fertile periods of American movies.
Hollywood is at a standstill. Actors and screenwriters are months into a dual strike. Film sets are dark. But the movies are still coming – or, at least, most of them.
Antoine Fuqua’s “Equalizer 3,” a taut and textured sequel to Washington’s vigilante series, isn’t one of the actor’s best films. It wouldn’t crack his top 10.
“Gran Turismo: Based on a True Story” and “Barbie” are in a dead heat for the box-office crown, with the video game adaptation just edging Greta Gerwig’s pop sensation, according to studio estimates Sunday.
The release of “Dune: Part Two,” one of the fall’s most anticipated films, has been postponed from November until next year. Warner Bros. confirmed the shift Thursday.
The rites and rituals of the raunchy high-school comedy can be as prescribed as a class syllabus, but what makes Emma Seligman’s “Bottoms” such an anarchic thrill is how it couldn’t care less.
Still haven’t seen “Barbie” or “Oppenheimer”? This Sunday, you’ll be able to catch up for $4 a ticket in movie theaters nationwide.
The DC superhero film “Blue Beetle” led weekend ticket sales with an estimated $25.4 million, according to studio estimates, dethroning “Barbie” from the top spot after a record-setting run that left movie theaters colored pink for a month.
After Bradley Cooper’s prosthetic nose in the trailer for the upcoming Leonard Bernstein biopic “Maestro” stoked criticism of antisemitism, the conductor’s children have come to the defense of the actor.
A new study on inclusion in film shows just how much of a rarity “Barbie” is. For every woman as a speaking character in the most popular films of 2022, there were more than two men, according to report by University of Southern California’s Annenberg Inclusion Initiative.
The young protagonist of “Blue Beetle” is the first Latino superhero in a leading role in a DC film. It’s not just token casting, either.
A month after Tom Cruise faced off with an AI supervillain comes a very “Mission: Impossible”-like international espionage thriller with an equally fancy and powerful machine.
Ira Sachs never set out to make an NC-17-rated film. After the pandemic, the New York-based indie filmmaker was compelled to create, as he says, “a film of intimacy.”
There are some good gags and clever innovations in the animated “Teenage Mutant Ninja Turtles: Mutant Mayhem.”
A week later, the “Barbenheimer” boom has not abated. Seven days after Greta Gerwig’s “Barbie” and Christopher Nolan’s “Oppenheimer” conspired to set box office records, the two films held unusually strongly in theaters.